Art

A 37-post collection

Challenge #02187-E358: Mechanics of Recovery

The sheer existence of the various characters Jim Henson and his protégés created, both Muppets and Creatures. From highly stylised characters in a children's television show that still stand up today and whose show is still at the forefront of teaching children decency and tolerance, as it has been since its first season, but were never meant to pass as flesh-and-blood beings (no matter what so many children know in their hearts to be true, that despite not being flesh and blood, they are no less alive) to The Muppet Show, aimed at a decidedly older audience but with a surprising number of the same characters as Sesame Street and more in the same style, with that same lack of expectation to be seen as flesh and blood, to big-budget movies with characters that are meant to be seen as something you could see living on other worlds or in other realms like the latter two Star Wars of the Original Trilogy (Yoda was not a Jim Henson project, but many of the people he trained were instrumental in the wise (and slightly crazy) old being's creation), Labyrinth, the first two Teenage Mutant Ninja Turtles films (not technically beings from other planets or realms, but still), and more, to realistic aliens shown in close-ups for long periods of time on a TV budget, as in Farscape, to puppets of actual animals that hold up to scrutiny even by people that know those animals like the Creatures they built for the first Babe movie that stood in for many of the animals when shots required things that were easier to get a puppet to do than an animal (such as move their mouths in time to speech) that in some cases hold up to scrutiny better than any pure-CGI character done with cutting-edge equipment that has to interact with the real world, rather than a stylised world done to match the character models, unless there was a truly ridiculous budget to throw at the problem - with hybrid CGI/actual actor characters only relatively recently reaching Yoda, Hoggle/Ludo/Sir Didymus, or especially Pilot/Rygel levels of believable in both their looks and how they interact with the world around them. -- RecklessPrudence

[AN: If I could pick anyone to make my imagined worlds a reality, Henson is right up there. Practical creatures look infinitely more real than CGI ones.]

It looked grotesque. A construction of mechanisms, teeth, and eyeballs. There was all kinds of seemingly random bits and pieces in there. Plates instead of muscles. It looked like a robot had tried to make a face and forgot all the essential fleshy bits. The display flickered, and the latex 'skin' became overlaid on the underlying structure. After that came the paint and then... the movement.

Viewers could choose from there to watch the mechanisms operate, see how the mechanisms worked in concert with the control systems, or have a go at the systems themselves. Shayde was making a ham hand at it, but learning quickly how to manipulate the exhibit on an intuitive level.

Rael was vaguely disturbed to know the operational mechanics behind the masks, and simultaneously fascinated by the mechanical aspects. Seeing them all operating... he had to wonder if the AI Alliance was offended. Some of them used very similar mechanisms for their faces. This sort of thing would be like the Real Anatomy Exhibit, where guests could watch simulated muscle and bone operating several kinds of anatomy.

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Challenge #01925-E101: Tragedy Tomorrow

Today's program consists of the Men's choirs, Poetry reading, original, Poetry reading from one of the set poems, and children's dance. (See The Goodies, "Eisteddfod from the Welsh. Eistedd, bored. Fod, stiff.") -- Anon Guest

Colony worlds, once cut off from their progenitor planet, have to deal with what they've got. B'Nar took everything nerd-related with them owing to the fact that it was settled by genetic engineering companies and their nerdy, nerdy staff. And their equally nerdy families. The assembled Greater

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Challenge #01886-E062: All in the Manual

If you're tired, sleep. If you're hungry, eat something. Take care of yourself. Self Care Haiku, found on the internet. -- Anon Guest

It was a decorative plaque, almost in the style of the Ten Commandments in the way they were arranged.

If you are tired, sleep, it read. And onwards into other rules.

If you are hungry, eat something. If you are thirsty, drink. If you are ill, take medicine. If you are dirty, bathe. If it is broken, get it

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Struggle to juggle

I think I should probably try to do a "head space" comic per day. As well as the other stuff. I've learned I can only handle animation in small doses, so maybe five frames a go is my limit. And I still haven't posted the progress pix for the latest art piece I'm working on.

I know that it looks like a bag of suck at the moment, which is why I haven't posted it.

Bag of suck or not, I feel

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Getting into the swing of it

It's taken us a few weeks, but we're getting there. Even with the recent gastric distress, there's a rhythm to things.

Get up, ablute, take my weight - I'm still below 80 kilos despite bouncing back from the bug. Rouse the kids, get dressed, chase my little darlings into getting ready for the day. Chaos packs a three course meal, Mayhem packs a boiled egg or two. Make sure they're both groomed, and then try and get Beloved going for the day.

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Challenge #01401-C306: Give it All You Got

They were her audience, and she was always gracious towards them. -- Anon Guest

The performance had been draining. Of course it was. She had sweat pooling in places no polite person ever spoke of in mixed company. She had worn her skin thin in other, unmentionable places.

But, because she was the star, people insisted on meeting her after the show. Some to talk, some to embrace or kiss, some to criticise. Some to appreciate what hard work she had done,

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peppermintmonster: Friendly reminder to all working artists or (especially) aspiring artists. If a client says they can't afford to pay you...

peppermintmonster:

Friendly reminder to all working artists or (especially) aspiring artists.

If a client says they can’t afford to pay you but you’ll get good exposure, one of two things is happening:

1. They are lying. They can afford to pay you, but they are choosing not to. They will pay the printer to print the books, they will pay the mail service to deliver them, and you’d better believe they’re going to pay themselves for sending you

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The Vice of Music Artists

bunnybennett:

This seems like a good time to remind folks of a pretty controversial subject.

Whether or not to pay for the art we create.

We have an album coming up soon, and we’re excited for you to get your hands on it. But, we also need people to buy it. Otherwise, well. We can’t do what we do. :)

The Vice Quadrant is 28 tracks, and just a few seconds short of 2 hours long. It is a two disc

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marshmallowmaurice: alriandi: marshmallowmaurice: dust-bite: kakimari: qnq: jurartsic: kirstendoodles: craftinglindsey: ALERT...

marshmallowmaurice:

alriandi:

marshmallowmaurice:

dust-bite:

kakimari:

qnq:

jurartsic:

kirstendoodles:

craftinglindsey:

ALERT FELLOW ARTIST - BEWARE OF WALLPART.COM

DO NOT BUY - SPREAD THE WORD

They are selling artwork they have found randomly online without permission from the artist.
Today I found out I was a victim of their scheme and have since reported my works demanding they be taken down. [ x ] [ x ] [ x ] [ x ] [ x ]

Many other artist both known and unknown have become victims of these thieves [x]. Fellow artist please

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